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Water Lily Pond Green Reflections Claude Monet

(2 customer reviews)

Price range: €15.00 through €80.00

In the Giverny garden, Monet created two separate zones: a garden and a water garden inspired by Japanese models. For more than 20 years he studied the play of light and the nature of both. The subject of this Orsay is exactly one of the paintings in Monet's series. Monet's goal was to capture the same subject many, many times, over and over again. But always at different times of the day or under different lighting conditions.

The water lily pond became a recurring theme and important motif in his later years, and ten different versions were exhibited in 1900, a year after he had completed this work. This type of works are the most representative of the Impressionist ideal. It conveys a strong sensitivity towards nature and an incredible passion for the place where Monet lived and painted.

From a compositional point of view, this work is built around a central arch. Beneath the central arch are the vanishing points of perspective that, although apparently simple, were studied in detail for this work. Each element contributes to the feeling of depth, while offering space for natural expression.

SKU: 00000065 Category: Tags: , , ,

Description

Painting background

Monet began his work in 1883 in the small town of Giverny, on the lower Seine. Then, in 1893, he bought the land in front of his house and built a Japanese-style garden on it. Monet used a stream that ran past his house to create a huge pond filled with water lilies and spanned by a humpbacked bridge. He lined the banks with willows and shrubs and retreated to this secluded aquatic realm to create his latest series of works, Water Lilies. He built a glass-walled studio on one side of the garden and set up an easel on wheels that could roll freely around the room. There he created image after image of the pond, the water lilies, and the changing reflected light at all hours of morning, day, and night. In different works of the series he included images of willows on the shore, a humpback bridge and the sky at sunset. But finally he concentrates only on the pond. He fills the entire surface of the work with images of the pond, giving the viewer the strong impression of standing in the center of the pond. The brushstrokes and pigments used to represent the flowers and water are very different from the techniques of the early Impressionists; sometimes they achieve the passionate intensity of expressionism by evoking the beauty of the surface of water.

With the help of French President Georges Clémenceau, the artist donated many of these large paintings to the state. Twenty-two of them were transferred to Paris after Monet's death in 926 and settled in the Orangerie des Tuileries, near the Louvre, where they can still be seen. Another 20 paintings of a similar size remained in the artist's studio in Giverny, since they did not need to be there, and Emil Bührle, who bought three of them during a brief visit to Giverny in 1951, was the second collector in the world who considered that it was worth buying those works. Most of his contemporaries considered these paintings as mere decorative objects, which was reflected in their very low prices. The price of this painting, Water Lilies, Green Reflections, was 24,000 francs, about half what it would have cost to buy one of Monet's classic landscapes framed in gold at the time. One of the possible reasons why Bierle decided to acquire these works was his donation to the Kunsthalle of a large extension to the exhibition building, which was being built at about the same time. It must have been easy for him to see the large painting Lily Pond in the context of the building. Bühler donated two of the paintings to the Kunsthalle Zürich with funds from an architectural fund that he himself had created. Only four years later, the Museum of Modern Art in New York purchased one of the other paintings in the series, raising its status to a new level. Monet's Irises were suddenly considered works of genius, heralding Abstract Expressionism, the movement that dominated the New York scene in the 1950s. These once-decorative works underwent a metamorphosis and became icons of modernism, central to the story. of 20th century art.


Product delivery features

valepanda uses the latest printing technology to produce this print. Textured paint adds a brushstroke / texture effect to the painting reproduction, giving it an incredibly realistic oil artwork look. At Valepanda we work exclusively on the basis of Giclée printing technology, an innovative high-resolution printing technology that achieves extraordinary and long-lasting prints of the highest quality. The basis of our printing materials is divided into photo paper, canvas, acrylic sheet or metal. Among them, photo paper and canvas, we only use famous materials from famous brands :

  • ILFORD STUDIO SATIN 250G A3

ILFORD STUDIO SATIN 250G A3 Photographic Paper Satin Semi-matte 250 gr, extra white with microporous Resin Coated coated with a layer of polyethylene on both sides, achieves images with impressive sharpness and bright colors, achieves an excellent color gamut and a resolution up to 5760 dpi, as well as long color stability, fast drying and high resistance, it is ideal for the most demanding professionals where quality is important. Suitable for Dye and Pigmented inks.

https://www.photospecialist.es/ilford-studio-satin-250g-a3-50-vel

  • Hahnemühle Photo Rag® 308g / m²

Photo Rag® by Hahnemühle It is one of the world's most popular papers and a noble all-rounder in producing high-quality fine art inkjet prints. This white cotton-based paper, made especially for art work.

https://valepanda.com/product/hahnemuhle-fineart-baryta-satin-copy/

  • Hahnemuhle FineArt Baryta Satin® 310 g / m²

FineArt Baryta Satin by Hahnemühle is a 100% α-cellulose paper with a special inkjet coating for FineArt applications. The base paper has a light texture, does not contain optical brighteners and stands out for its silky smooth touch.

https://valepanda.com/en/product/hahnemuhle-fineart-baryta-satin/

  • Cotton linen on canvas

390 g matte artistic canvas for plotter made of 100% cotton, of the highest color quality and excellent color contrast, offers a smooth, uniform textured surface with great resistance to water and scratches, achieves vibrant vivid colors for reproductions of artistic and photographic works of high quality for the most demanding professionals.

  • Lumachrome Acrylic TruLife®

Lumachrome acrylic prints are the highest quality fine art photography products on the market. It has the best color gamut representation, bright and vivid colors, detailed shadow areas, and overall detail and clarity. Due to the iridium metal particles in the ink, the printed material reflects light very well, giving the impression of a backlit photo.

I use TruLife® acrylic. This is an amazing high-performance anti-reflective technology that eliminates a lot of glare and maintains the classic glossy appearance. Also has anti-scratch and UF4 95% UV protection

It is a museum quality grade designed to maintain the vibrancy of color for over 120 years. It has unmatched detail and print clarity, excellent color gamut capabilities, and incredible depth and dimension to create an almost three-dimensional look.

  • ChromaLuxe Aluminum

High definition photo panel with rounded corners to display artwork and photos. Aluminum plates are lightweight, durable, made from recycled materials and recyclable 100%.

  • White
  • Glossy finish
  • Thickness 1.14 mm
  • Radius 3 mm

For printing on paper or canvas, Valepanda uses only original Epson inks of the highest quality, which are extremely resistant to UV rays. Your artwork will retain its vibrant colors for up to 75 years. It is a textured print that fits perfectly with reproductions of works of art.


Some points for your attention

  1. The color of the product you receive may differ from your monitor's display due to the different color calibration of monitors.
  2. If you have special requirements regarding size, please specify in the form above the click on the order button
  3. This product only contains printed paper, or canvas, or foil. Does not include outer frame or wall hanging parts. If you have an order for an oil painting frame, please go to the following link to select your purchase. Please note when purchasing: If you need white card stock, the frame you choose should be 5cm larger than the size of the print on the sides.
  4. For the paints we sell, the surface layer is always covered with a 75 micron clear matte monomer adhesive laminated film. It is a high quality monomer film that provides permanent glue with neutral PH and UV protection. It is a very good protection for materials printed on paper, vinyl, polypropylene, canvas, etc…. What we guarantee is the best abrasion resistance, water resistance and fading in the industry.

https://www.delex.es/laminado-adhesivo-en-frio/laminado-adhesivo-mate-monomerico.html

 

Additional information

Weight N/A
Dimensions N/A
Painting Size

118.8cm x 59.4cm, 42cm x 21cm, 59.4cm x 29.7cm, 84.1cm x 42cm

Select Material

ILFORD STUDIO SATIN 250G A3, Hahnemuhle FineArt Baryta Photo Rag (308g), Hahnemuhle FineArt Baryta Satin(310g), Cotton Linen on Fine Art Canvas, Lumachrome Acrylic, Aluminum ChromaLuxe

Brand

Claude monet

2 reviews for Estanque de nenúfares reflejos verdes Claude Monet

  1. silvcarre777 (verified owner) -

    A large format in my living room. The quality of the printing is great. But I think it is a little dark than the real thing.

  2. virna.salgado -

    Estou muito satisfeita, tudo correu bem, a foto ficou muito bonita.

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