Description

Painting background

Douanier's hut at Varengeville painted in 1882; oil on canvas: 60 cm x 73 cm; Boijmans Van Beuningen Museum, Rotterdam. During his travels in the 1880s, the landscape Monet saw was very different from the landscape dominated by horizontal lines in the Seine Valley. He searched for coastlines and steep hills, and deliberately selected a few objects with distinctive features to paint. Bold contrasts between spaces, shapes and layers are frequently emphasized. In 1882, Monet was on the Normandy coast, drawing around (Pourville) and (Varengeville) on the western edge of Dieppe. He tried to represent the local cliffs. Among them, one of Monet's favorite subjects was a house perched on a cliff. coast guard field house. The cabin is at the upper end of a crevasse that winds inland. In the same year, Monet was in different weather conditions, from all possible angles: looking down or looking up. This hut has been drawn 18 times, in the painting this hut surrounded by mountains and sea appears in several silhouettes. Although Monet painted the subject many times, he never considered these works as an independent series. In this painting, the cabin is seen from the southeast, separated from the chasm by the cliff in the foreground. You can see the cliffs of Dieppe. in the distance in the painting. From 1881 onwards, through Durand-Changel and other art dealers in the late 1880s, Monet for the first time had a generally stable income. This way, Monet can dedicate more time to creating. At this time, Durand-Ruel urged Monet to improve his work in response to widespread criticism of Impressionism by critics during the 1870s. The Impressionists were happy when faced with a hastily drafted manuscript. On the cliff in the foreground there are relatively broken layers and patches of shadows, in contrast to the sunny slope further away, where the layers and colors of the sunny slope are constantly changing. The pale pinks and oranges highlight the greens, making this a much more vibrant image than Monet's masterpiece from a decade earlier.

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Product delivery features

valepanda uses the latest printing technology to produce this print. Textured paint adds a brushstroke / texture effect to the painting reproduction, giving it an incredibly realistic oil artwork look. At Valepanda we work exclusively on the basis of Giclée printing technology, an innovative high-resolution printing technology that achieves extraordinary and long-lasting prints of the highest quality. The basis of our printing materials is divided into photo paper, canvas, acrylic sheet or metal. Among them, photo paper and canvas, we only use famous materials from famous brands ：

• ILFORD STUDIO SATIN 250G A3

ILFORD STUDIO SATIN 250G A3 Photographic Paper Satin Semi-matte 250 gr, extra white with microporous Resin Coated coated with a layer of polyethylene on both sides, achieves images with impressive sharpness and bright colors, achieves an excellent color gamut and a resolution up to 5760 dpi, as well as long color stability, fast drying and high resistance, it is ideal for the most demanding professionals where quality is important. Suitable for Dye and Pigmented inks.

https://www.photospecialist.es/ilford-studio-satin-250g-a3-50-vel

• Hahnemühle Photo Rag® 308g/m²

Photo Rag® by Hahnemühle It is one of the world's most popular papers and a noble all-rounder in producing high-quality fine art inkjet prints. This white cotton-based paper, made especially for art work.https://valepanda.com/product/hahnemuhle-fineart-baryta-satin-copy/

• Hahnemuhle FineArt Baryta Satin® 310 g / m²

FineArt Baryta Satin by Hahnemühle is a 100% α-cellulose paper with a special inkjet coating for FineArt applications. The base paper has a light texture, does not contain optical brighteners and stands out for its silky smooth touch.https://valepanda.com/en/product/hahnemuhle-fineart-baryta-satin/

• Cotton linen on canvas

390 g matte artistic canvas for plotter made of 100% cotton, of the highest color quality and excellent color contrast, offers a smooth, uniform textured surface with great resistance to water and scratches, achieves vibrant vivid colors for reproductions of artistic and photographic works of high quality for the most demanding professionals.

• Lumachrome Acrylic TruLife®

Lumachrome acrylic prints are the highest quality fine art photography products on the market. It has the best color gamut representation, bright and vivid colors, detailed shadow areas, and overall detail and clarity. Due to the iridium metal particles in the ink, the printed material reflects light very well, giving the impression of a backlit photo. I use TruLife® acrylic. It's an amazing high-performance anti-reflection technology that eliminates a lot of glare while maintaining the classic glossy look. It also has anti-scratch and UF4 95% UV protection. It is a museum-quality grade designed to maintain color vibrancy for over 120 years. It has unparalleled detail and print clarity, excellent color gamut capabilities, and incredible depth and dimension to create an almost three-dimensional appearance.

• ChromaLuxe Aluminum

High definition photo panel with rounded corners to display artwork and photos. Aluminum plates are lightweight, durable, made from recycled materials and recyclable 100%.

• White
• Glossy finish
• Thickness 1.14 mm
• Radius 3 mm

For printing on paper or canvas, Valepanda uses only original Epson inks of the highest quality, which are extremely resistant to UV rays. Your artwork will retain its vibrant colors for up to 75 years. It is a textured print that fits perfectly with reproductions of works of art.

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Some points for your attention

1. The color of the product you receive may differ from your monitor's display due to the different color calibration of monitors.
2. If you have special requirements regarding size, please specify in the form above the click on the order button
3. This product only contains printed paper, or canvas, or foil. Does not include outer frame or wall hanging parts. If you have an order for an oil painting frame, please go to the following link to select your purchase. Please note when purchasing: If you need white card stock, the frame you choose should be 5cm larger than the size of the print on the sides.
4. For the paints we sell, the surface layer is always covered with a 75 micron clear matte monomer adhesive laminated film. It is a high quality monomer film that provides permanent glue with neutral PH and UV protection. It is a very good protection for materials printed on paper, vinyl, polypropylene, canvas, etc…. What we guarantee is the best abrasion resistance, water resistance and fading in the industry.

https://www.delex.es/laminado-adhesivo-en-frio/laminado-adhesivo-mate-monomerico.html